All performances are cancelled until Friday 3 April due to the spread of the coronavirus according to the official provisions of the Italian Prime Minister. The Opera House tours are suspended till Friday 3 April.
Ticket refund https://www.teatrolafenice.it/en/coronavirus/
It’s ironic that Carmen, this stereotypical Spanish woman, was created by two Frenchmen: Prosper Mérimée and Georges Bizet. In 1867, Bizet wrote to a friend: “my sensuous nature lets itself be enthralled by a music which is easy, lazy, loving, lascivious and passionate. I am a German by conviction, heart and soul, but sometimes I sink into the artistic slums”. The dialectic of attraction/repulsion of the self-styled ‘German’ for places of easy taste mark the military music and outdoor festive scenes in Carmen. With them Bizet aimed perhaps at seducing the socially mixed audience at the Paris Opéra-Comique, thus enabling them to digest the perceived immorality of the plot and the counterpoint virtuosity of the quintet “Nous avons en tête une affaire”.
Conductor Myung-Whun Chung
Director Calixto Bieito
Sets Alfons Flores
Costumes Mercé Paloma
Lighting Alberto Rodriguez Vega
Carmen
Varduhi Abrahamyan (25,27,29/03 -1,3,5/04)
Marina Comparato (26,28,31/03 – 2,4/04)
Don Josè
Francesco Meli (25,27,29/03 -1,3,5/04)
Azer Zada (26,28,31/03 – 2,4/04)
Micaela
Serena Gamberoni (25,27,29/03 -1,3,5/04)
Gilda Fiume (26,28,31/03 – 2,4/04)
Escamillo
Alessandro Luongo (25,27,29/03 -1,3,5/04)
Bongani Justice Kubheka (26,28,31/03 – 2,4/04)
Zuniga Matteo Ferrara
Lillas Pastia Cesare Baroni
Le Dancaire Lionel Peintre
Le Remendado Jean-Francois Novelli
Moralès Philippe Estèphe
Frasquita Julie Mossay
Mercédès Violette Polchi
La Fenice Orchestra & Choir
Chorus Master Claudio Marino Moretti
Children Choir Piccoli Cantori Veneziani
Chorus Master Diana D’Alessio
English surtitles
La Fenice productijon in co-production with
Teatro Real, Teatro Regio di Torino and Teatro Massimo di Palermo
The performance lasts about 2 hours 50 minutes, including one interval